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The Tools of Screenwriting: A Writer's Guide to the Craft and Elements of a Screenplay, by David Howard
Free PDF The Tools of Screenwriting: A Writer's Guide to the Craft and Elements of a Screenplay, by David Howard
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Review
“David Howard calls this book 'a writer's guide.' I think it's a wonderful and indispensable producer's guide to story, storytelling, and screenwriting.†―Lawrence Turman, producer of The Graduate, Running Scared, The Flim-Flam Man, and other films“What David Howard has done with The Tools of Screenwriting is to reveal for me and for all readers just how stories work; he shows that there are no absolute rules, but there are principles that can help a beginning writer gain understanding of all the elements that go into the creation of a 'good story well told.'†―Diane Keaton“The Tools of Screenwriting is the best primer on the craft, far better than the usual paint-by-the-numbers sort of books that abound.†―Frank Pierson, Academy Award-winning screenwriter of Cool Hand Luke, Dog Day Afternoon, Presumed Innocent, and A Star is Born
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From the Back Cover
Screenwriting is the art of telling stories dramatically - and it can be learned. Although there is no standard formula for writing a screenplay, there are central principles that all good screenplays share. In The Tools of screenwriting, the authors illuminate the essential elements of cinematic storytelling. These elements are guideposts for the aspiring screenwriter, and they can be used in different ways to accomplish a variety of ends. Questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics are discussed as they apply to the special art of filmmaking. The authors demonstrate how the tools of screenwriting work in sixteen notable films, including Citizen Kane, E.T., One Flew Over the Cuckoo's Nest, Rashomon, The Godfather, North by Northwest, Chinatown, and sex, lies, and videotape. in the analyses of these films, the reader will discover the common elements of compelling screen stories. The Tools of Screen writing is an essential book for anyone who wants to write a script that will be filmed.
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Product details
Paperback: 320 pages
Publisher: St. Martin's Griffin; Reprint edition (January 15, 1995)
Language: English
ISBN-10: 0312119089
ISBN-13: 978-0312119089
Product Dimensions:
5.4 x 0.8 x 8.1 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
31 customer reviews
Amazon Best Sellers Rank:
#25,438 in Books (See Top 100 in Books)
A how to book that reads like one is on a wonderful adventure of discovery. Kirk Iverson of Globalcraft Studios recommended the book to me so tally ho off I went to Amazon for some more mind candy. This author writes well.An Indiana Jones screenwriting tip (my conception)from the book: "It is a good idea to think of the three acts not as a mold or formula to be filled in with some kind of batter the writer has concocted, but rather as a set of landmarks an explorer/guide tries to keep sight of when traveling through new and dangerous territory."Learning a new craft IS traveling through new and dangerous territory. I've read a few how to books on how to write a screenplay. The ones I read leaned more to formula: "By such and such a page this must happen." In "The Tools of Screenwriting" one simply reads an engaging book. You don't want to put it down and you don't want it to end.In fact I haven't finished it. There are a few films I haven't seen that he's analyzed so I will see them first then read David Howard's analysis.Enjoy.
Great book if you are studying screenwriting, or want to pursue a career as a professional writer, I needed this book for my class, but after reading it, I do not only recommend it to who ever is studying screenwriting, I recommend it to anyone who wants to better their writing in storytelling the fundamentals of it and the elements for a script are great, as well as a great read.
book used for class
I have gazed into this book, and in simply gazing, I realized there is a LOT MORE TO SCREENWRITING than I had imagined. In fact... as I wrote my first screenplay, it did not take long at all to feel like I was WAY IN over my head. Talk about RE-WRITES GALORE!!!One thing about screenwriting, as well writing a short story, novelette or a full blown novel... there will be constant re-writes... a ton of them, and I wish that I had been pointed to books like this one... so I would have learnt MUCH about HOW TO WRITE screenplays and novels before I embarked on the expedition... and boy was it ever. LOL I wrote a short story for a film I am making which lasts all of about 5 minutes... 42 HOURS and at least 30 re-writes later... I have the polished works ready to make the film. And the reality of this is... (Just like the Kenny Rogers song Gambler said) you gotta know when to hold em, know when to fold em... know when to walk away, know when to run... in this realm of writing, you have to know 'When to stop editing' because the more you edit/re-write... the more you hone in on things that could be written differently... or better in your mind... and if you don't walk away... you'll never reach the finished end.No charge for that personal insight today. :-)
as expected
I think this book stands out from others in the heap of books on screenwriting in at least two salient aspects.First, it does a fairly good job of defining the terms being used. There is great confusion in screenwriting terminology; different authors have differing definitions for commonly used terms -- or none at all. They just throw out terms as if the reader already knows what it means or the meaning is so intuitively obvious it doesn't need definition. Or they define the term vaguely and apply it inconsistently so it seems to mean one thing in one paragraph, and then something else in another. Terms do need clarification and authors need to be consistent.Second, whereas some authors emphasize a particular element or technique as a sin qua non -- if not the sin qua non for creating a marketable manuscript -- this book discusses all the basics with no particular emphasis or preference for one.After surveying the basics, the authors apply their analytical schema to 14 notable films from various genres including The GodFather, Rashomon, Annie Hall, sex lies and videotape and Hamlet. Though I don't always agree as to how they apply their schema, it's a practical schema.
its new
Howards later "How to Build a Great Screenplay" is the very best single book if you want to master screenwriting, but this is a great book, and I consider it a "must have." Better than any seminar or course, and I've spent thousands on most of them over the years, including a couple years at AFI.
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