Download PDF The Rights of Families: The Authoritative ACLU Guide to the Rights of Family Members Today (ACLU Handbook), by Martin Guggenheim

Download PDF The Rights of Families: The Authoritative ACLU Guide to the Rights of Family Members Today (ACLU Handbook), by Martin Guggenheim

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The Rights of Families: The Authoritative ACLU Guide to the Rights of Family Members Today (ACLU Handbook), by Martin Guggenheim

The Rights of Families: The Authoritative ACLU Guide to the Rights of Family Members Today (ACLU Handbook), by Martin Guggenheim


The Rights of Families: The Authoritative ACLU Guide to the Rights of Family Members Today (ACLU Handbook), by Martin Guggenheim


Download PDF The Rights of Families: The Authoritative ACLU Guide to the Rights of Family Members Today (ACLU Handbook), by Martin Guggenheim

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The Rights of Families: The Authoritative ACLU Guide to the Rights of Family Members Today (ACLU Handbook), by Martin Guggenheim

Review

"At an earlier time in this country’s history, the courts and society in general had a clear, if narrow, conception of how a family was formed: men and women married and conceived children together. Divorce was relatively uncommon and required proof of marital misconduct. Children born out-of-wedlock had few if any rights. Women had little or no control over the bearing of children. Adoption was controlled by adoption agencies and was, in most families, a closely guarded secret. Gays and lesbians stayed in the closet. The right of children to be protected from physical abuse or neglect by their parents was barely articulated. In vitro fertilization, surrogate parenting, and other complex reproductive technologies were unheard of."—from the Introduction

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About the Author

Martin Guggenheim is a professor of clinical law and the director of Clinical and Advocacy Programs at New York University School of Law.Alexandra Dylan Lowe writes and advocates in the field of family law and adoption.Diane Curtis is an attorney at the Center for Reproductive Law and Policy.

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Product details

Series: ACLU Handbook

Paperback: 360 pages

Publisher: Southern Illinois University Press; 1st edition (November 1, 1996)

Language: English

ISBN-10: 0809320525

ISBN-13: 978-0809320523

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 1.3 pounds

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,531,953 in Books (See Top 100 in Books)

Adults and teens interested in their legal rights as family members will discover in this fine book that the ACLU is truly interested in their personal welfare, and that it wants to educate them on their rights both as American citizens and as family members. The book is nonpartisan. All ACLU books relating to civil rights are first rate and very satisfying to read. Martin Guggenheim, the author of this work, is a national figure in the area of civil rights law. After consulting this work - in Q&A format - consider reading other ACLU books for invaluable information about American civil rights law.

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Download You Can Read Anyone: Never Be Fooled, Lied to, or Taken Advantage of Again

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You Can Read Anyone: Never Be Fooled, Lied to, or Taken Advantage of Again

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Audible Audiobook

Listening Length: 3 hours and 17 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Gildan Media, LLC

Audible.com Release Date: October 15, 2007

Whispersync for Voice: Ready

Language: English

ASIN: B000XB7AS6

Amazon Best Sellers Rank:

Information in this book is really good, in this audiobook. But as audiobooks go this is incredibly boring to listen to. You're literally listening to someone read off of paper. He reads fast. His examples are unmemorable. And. He gives one quick example for each point and then quickly moves onto the next point. Again the information is really good but it's incredibly hard to focus on an audiobook that is mother told, quickly read, with poor samples and no stories to highlight The points he's trying to make.

This book outlines some really good techniques for telling for a person is lying, withholding information or determining a persons true level of interest. It goes beyond mere body language and in fact doesn't even cover those theories.It describes specific scenarios and explains the way you can apply these techniques. If you'd like to discover if a person is really interesed in a job postion for instance. You first gauge their level of confidence and then by way of testing figure out if that person has more than a minimal level of interest. If they are really interested then they will become stressed when they see their chances for getting what they want are diminished. That makes sense though of course those reactions can be imitated by someone intending to mislead.This book is good for employers or anyone who has to interact with persons whose true motivations are not easily determined. I have several books on body language and although those theories often hold true and are observable and repeatable this book is different.

I got this in audio CD. I am in traffic and I feel like he is sitting next to me and telling me this. I also own the book and have read it 5 times.

I have to admit that if this line wasn't in the book, I would have likely rated this book lower:"Does this mean you will be able to read anyone with perfect precision, every time? No. The system is not 100 percent foolproof. However, you will gain a definitive statistical advantage in every encounter."The theory mentioned in this text is sound, but without a good grasp of the context of a situation, the information here is useless. It's important to understand how someone is, the experiences that affect them, and the context of the situation (formal vs. informal for example) so that reactions can be gauged properly.Another warning about this book: Some of the examples are unclear without a conceptualization of the context, and without a firm grasp of the concept being discussed. It's not unusual to need to reread sections of the book and (to an extreme) ask questions.As far as who I would recommend this book for... Although the title of the book makes it sound ideal for everybody, it really takes both intelligence and a good character to apply the techniques properly and accurately. When I say good character, I mean someone who is good at avoiding the pitfalls of human nature, such as egotism. Keep in mind that this book is based on Psychological principles, some of which we ourselves are subject to and that can intefere with our ability to use the methods defined here effectively.

Even if you can't picture yourself in the situations he describes you walk away with an awareness of human nature; what liars say/do...etc. It's one book you'll reread and gain something every time you pick it up.Not a generic 'feel good' book but exactly how it's described. Try it.

A bit too technical for me, but for someone in business or law enforcement it would be a great book. I believe I learned many good things even if I think it's a bit over my head.

This book has some wonderful insight to it. I would consider this a quick read. The projections are good as well as the flow and techniques provided.As with any book don't expect this to be the end all be all but is great for getting your feet wet.

I enjoyed this book. Thought it had some useful tidbits, but I wouldn't say that it could be easily applied in every situation. I think you'd have to practice and know your "audience", before applying some of his logic.After reading this book, I know I've had someone apply one of these principles to me at one time. I'm a fairly open person and I wish they would've come right out and asked me instead of me "reading them" and what they were trying to get at. Of course, not everyone is as open, so these tips may help in discovering another person.

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Ebook , by Melissa Stewart

Ebook , by Melissa Stewart

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, by Melissa Stewart


Ebook , by Melissa Stewart

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, by Melissa Stewart

Product details

File Size: 1596 KB

Print Length: 32 pages

Publisher: National Geographic Children's Books (July 12, 2011)

Publication Date: July 12, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B008OI4ZF6

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Amazon Best Sellers Rank:

#116,221 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

My daughter loves reading about animals. I mean to the point where we are almost frustrated with the constant quest for more information and details that the common parent just doesn't know... So we really love the NatGeo Kids books. They're so informative, yet written in a way that my six-year-old can understand without a ton of (research and then) explanations from us.(Not that we don't want to learn or mind reading with her, but we're far from biology majors or doctors... So we're really out of our comfort zone and end up doing a lot of Google-ing and "research" on our own just to answer her questions!)Anyways, although my daughter is comfortable reading at about a 3rd grade / 9 yr-old reading level, the different numbered readers usually don't bore her too much... Especially when it's a NatGeo type one. So I didn't hesitate to get this Level 2 Dolphins book for her, even though I figured it would be a shorter read for her.I did not expect that it would be less than a 10 minute read though. And, surprisingly, it really did have all that much information for her. She was pretty disappointed and, as a mom, that didn't exactly make me happy about the purchase.If your child is a newer reader and has a mild interest in the very basics of dolphins, you might be okay with this one. If he/she is a higher reader or the kind that craves to know everything about a specific thing - spend the extra couple bucks and get the "National Geographic Kids Everything Dolphins" book!! You'll be grateful that you did!!

The book is good and very informative. My only complaint is that is small and lacks information on specific types of dolphins that are pictured. So when my son asks me "What type of dolphin is that?" .., I have no idea because the book is just a general overview of dolphins in general.

A great book of knowledge for children to read and learn about Dolphins. We bought this along with a Dolphin trainer set and my daughter has been learning so much about the animal she loves most. The sentences are really easy for a 7 year old to read and she read it from start to finish when we gave it to her and pick it up at least once a week. Great idea to have National Geographics for kids.

We own quite a few of the national geographic readers and we love them all. They are appropriately laid out for young readers, my daughter loves the riddles/jokes and she loves learning interesting facts about the animals and sharing them with the family. I am very pleased with this purchase and will continue to buy others in the series.

These books are great for children who are beginning to read and also those who are read to. The photos are graphic but realistic. We have bought several of these about animals, but also the ones about space. I highly recommend them.

My daughter loves all different types of animals and fish and I was so excited to get this book for her. She has already read it twice, and loves the pictures and all the new information in it. The quality of the book pages are nice and it is very educational. We have both learnt a lot reading this book. Definately worth it!

Great book. Perfect for the child who wants to know everything about everything. My son is really enjoying this book about dolphins. The pictures and descriptions are spot on. He learned a lot about dolphins in this perfect paper back.

I bought this as part of birthday gift for a nine year old girl. In addition I purchased a Barbie I Can Be Splash and Spin Dolphin doll. I thought some educational material would offset the total frivolity of the doll. It apparently worked. Her mom told me that her daughter had been on the computer everyday for a week researching dolphins.

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File Size: 146308 KB

Print Length: 274 pages

Page Numbers Source ISBN: 0128023074

Publisher: Morgan Kaufmann; 1 edition (August 12, 2016)

Publication Date: August 12, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01KIR7I86

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Amazon Best Sellers Rank:

#686,413 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

As someone who has been in tech for many years, but relatively new to the Data Governance area, in order to get the knowledge I need to execute on my job, I've probably read around 15 books on various DG topics. Of those, a handful stand out as a book I keep coming back to. It's very well laid out and gives a much more modern view verses many of the other books out there. It accounts for the big data and advanced analytics trends in ways other books don't touch. I highly recommend this book. I had initially hesitated because the author is employed for a major vendor in the space. However, you will find the book full of practical content (and not a sales pitch for a data governance tool). You won't regret having it in your library as the book is quite different than any other out there I've read around data.

This book is written as a guide to proper implementation of data management methods and procedures for modern data usage and exploitation. The first few chapters lay the groundwork and delve into the need for a new approach to data management that embraces analytics. Then, in Chapter 3, the authors guide the reader through steps to assess their current conditions, controls and capabilities with regard to their data. The material here can be quite helpful to assist you in gauging where your organization falls in terms of data maturity. Chapter 4, which chronicles the detailed activities involved in building a data and analytics framework comprises about a quarter of the book and this chapter alone can give you a good ROI on your book purchase.Chapter 8 is also well done. It addresses data governance as an operations process, giving advice and a framework for successful data governance. If you are at all involved in your organization’s data management and analytics practice, do yourself a favor and grab a copy of this book today.

Similar to the other Data Governance books I've read, this one is also very verbose, staying away from concrete use cases, littering pages with hypothetical situations and executive summary type of snapshots from data governance implementations.Nevertheless, this one is at least more up to date, and a bit easier to follow. Pages and pages of action items are presented in a logical (and somewhat overwhelming) order, without providing a detailed example of what an end result would like, but still I consider this book's style slightly more digestible without sacrificing details.The book also briefly mentions big data related issues but in a very superficial manner, so you'll definitely need to rely on other sources.The part on Business Glossary is very detailed and provides a thorough overview of building a business glossary, and even is brave enough to mention the concept of 'ontology'. It is also good the relevant standards are shown, so that the reader can know where to turn to for precise definitions. The fact that authors have dedicated 20 pages to this topic shows how important they consider this aspect of data governance.If you are a practicing Data Officer or head of analytics, this book belongs in your bookshelf, and on your desk, to be referenced regularly, so that you can internalize the concepts and the lessons it shows. Also, when faced with various challenges in the intersection of business and IT, a second or third reading of some of the chapters might as well be useful.

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PDF Download The Real Exorcist: Spiritual Warfare Methodology (The Real Exorcist Series) (Volume 2)

PDF Download The Real Exorcist: Spiritual Warfare Methodology (The Real Exorcist Series) (Volume 2)

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The Real Exorcist: Spiritual Warfare Methodology (The Real Exorcist Series) (Volume 2)

The Real Exorcist: Spiritual Warfare Methodology (The Real Exorcist Series) (Volume 2)


The Real Exorcist: Spiritual Warfare Methodology (The Real Exorcist Series) (Volume 2)


PDF Download The Real Exorcist: Spiritual Warfare Methodology (The Real Exorcist Series) (Volume 2)

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The Real Exorcist: Spiritual Warfare Methodology (The Real Exorcist Series) (Volume 2)

Product details

Series: The Real Exorcist Series (Book 2)

Paperback: 144 pages

Publisher: CreateSpace Independent Publishing Platform; First Edition edition (April 8, 2013)

Language: English

ISBN-10: 1484067258

ISBN-13: 978-1484067253

Product Dimensions:

6 x 0.3 x 9 inches

Shipping Weight: 9.6 ounces

Average Customer Review:

4.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,604,859 in Books (See Top 100 in Books)

Very good book. Fr. Jack is an outstanding teacher for this subject matter. He also digs deep into the issues. Prepare to be schooled by him. Anyone tinkering around "Ghost Hunting" is truly living on borrowed time before catching an attachment that won't easily be removed.

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Download The Box Man, by Imiri Sakabashira

Download The Box Man, by Imiri Sakabashira

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The Box Man, by Imiri Sakabashira

The Box Man, by Imiri Sakabashira


The Box Man, by Imiri Sakabashira


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The Box Man, by Imiri Sakabashira

About the Author

Born in 1964, Imiri Sakabashira is part of the Japanese underground generation centering around publications like Garo and AX. His work has been exhibited in the Trancepop Gallery in Kyoto and the Billiken Gallery in Tokyo.

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Product details

Hardcover: 128 pages

Publisher: Drawn and Quarterly; First Edition edition (January 19, 2010)

Language: English

ISBN-10: 1897299915

ISBN-13: 978-1897299913

Product Dimensions:

6.6 x 0.6 x 8.8 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#661,319 in Books (See Top 100 in Books)

I have to admit I'm a sucker for gekiga AND psychedelic patterns so I'll easily sing the praises of this nearly dialogue free freak poem from Garo great Sakabashira. Unlike Yokoyama, who seems to be the critics current favorite with respect to spacing and travel, Saka-san was doing this many years before, as evident by this book's first half. A homeless errand runner and his Saturday morning cartoon cat are delivering a box through a maze of shredded paper and pipes and rubber with the police, sewer monsters and the comic panel itself closing in on them. Don't get lost, there's an awful lot of shading. It's a fast read, but not without a purpose. It boasts a wonderful centerpiece of several different exploitation-style images in a variety of styles, one per page, for the course of most of this books' center, before going on, delivering the mysterious, crabby package and...well, I won't spoil it. This comic will make your head spin with its speed and delivery & squeeze your amygdala with its low-brow, psychedelic monsters. It rules.The one thing I have to critique is the packaging. Don't get all hurt, I love D&Qs hardcover decisions, and this one is no different, except the content begs to be enlarged. Really, I think this would hugely benefit from an over sized, hardcover printing, if only to better frame those freaky centerpiece pics; something like a coffee-table book. The art is worthy of it, honestly, and when he's good, he's real good, as these centerpieces are close to Suehiro Maruo level awesomeness!If you like psych art and travel and cats, this is a must.

A man on a moped with a box on the back and an odd Pokemon-type creature at his side cruises past an alien landscape alongside typical Japanese architecture. Except things are a bit off - monsters and half-man creatures are everywhere, the police are after him for harbouring a lobster-type creature in his box, and a disturbing-looking little bald dude with sunglasses is voyeuristically watching as monsters wrestle with humans.What the hell is going on? I don't know, but it's an interesting little book. It's mostly wordless and there are loads of psychedelic scenes which reminded me of Jim Woodring's work, and some of the monster/human scenes looked like straight out of a Charles Burns book.But besides a few well-drawn pages and a feeling of unreality throughout, I didn't get much out of the book. It's too weird, too all over the place, to really make much of an impression and the lack of coherent storytelling made it less interesting to read rather than more. I appreciate Drawn & Quarterly putting out alternative comics from Japan but I wouldn't say this was the best pick as it raises too many questions without answering any, so it's frustrating to read rather than enjoyable.

Some things don't make narrative sense, at least on the surface, but nonetheless provide a wild aesthetic ride. "The Box Man," a gekiga manga that originally appeared in 2004, will likely perplex, or possibly disgust, anyone who scans its vibrant surreal landscape. Yet something remains undeniably compelling throughout the entire mad journey. Almost none of the manga's drawings contain dialog. The quaint "du du du du" of the main character's scooter dominates the soundscape. Phantasmagorical and sometimes graphically violent imagery dots the tale as the man on a scooter and his companion, presumably a half kappa creature, putter along various scenes to who knows where. The artwork shines throughout and, for many who choose to complete this ineffable little book, may provide the dominant reason for carrying on despite the increasingly inexplicable events that unfold. And then there's the intriguing little box with the crab claws.Right away the story takes a surreal turn. The man and his creature companion get blown off course by a Godzilla-esque creature that leaps from a river. Their scooter crashes and ignites, but they soon obtain another one from a man sitting in a vast junkyard listening to baseball. The pair rides along through what looks like an early to mid-twentieth century Japanese city. Everything seems half abandoned and Kanji litters the walls of the dilapidated industrial scene. They ride through a corridor of the city as wires and pipes slither out from ceilings and walls. An immense train blocks their path momentarily. Things seem to go fine, though the scenery becomes more bleak, until the scooter's front wheel jettisons off on an elevated walkway and the duo plunge into a web of brittle wires. The strange box shows itself for the first time. A human face peeks out, followed by crab claws. The man slams it shut and the trip continues on foot through the murky nightmarish streets.Police try to stop them, but the crab claws behead one of the officers and appears to castrate the other. They flee with the box into a side street that takes them to hallways lined with highly ornate, but also highly creepy, carved ancient artwork. A small floating head speaks in pictographs and leads them to a larger masked body who seems to get angry at the pair's lack of response. The box comes to the rescue by producing a psychedelic frog. This apparently allows them to continue and they pass through a 1950s - 1960s style Japanese home, complete with television, nick-knacks and a two-headed pig. The hallways lead them to a series of rooms where a strange clown-like creature gleefully watches a series of monsters abusing women in various ways. A fiendish chipmunk holds a Japanese schoolgirl in a painful wrestling hold. A smiling science fiction monster twists the legs of a woman wearing hot pants and stockings. One incomprehensible monster drools over the head of a pinned down woman. A slithery slimy monster covered in tentacles grasps a girl wearing what looks like military dress and tickles her armpits. Other women get coiled in lizard tails, pulled up by their underwear or covered in worms. Later, men also succumb to the grisly tortures. The clown-like man watches all of this with great joy. One of the women escapes and beats the clownish man until his brains spill from his head, but the man pursues the woman and splatters his brains all over her head. It then appears that these scenes actually occurred in a film that all of the monsters and the clownish man laugh at while seated in a room with snacks.The scooter man and his companion witnessed all of this behind the scenes and now they try to creep past the group unnoticed, but, horrifyingly, one of the monsters spots them and they follow them. After a series of somewhat unexplainable events in which it appears that the monsters have enjoyed tormenting the pair, the crab claws once again save the day. The monsters get a taste of their own cruelty and after two of them get spit out by a giant mass, they chase the pair enraged. As luck would have it, they come across another scooter, presumably stolen from a man engrossed in karaoke. His song lyrics resemble Thai. Another chase ensues and the pair cruise by a table of policemen. They gaze at a wanted poster with a picture of the pair on it and instantly recognize them. A monster bites the head off of a policeman and the policeman shoot the monster in turn. This leaves a single police car pursuing the scooter over rooftops and past advertisements for "The Wasp Woman" and various foods and medicines. They eventually lose the police and continue on down a shoreline. The scenery becomes less cluttered until the scooter stops before a mosh pit of imagery. Framed by what looks like a fallen battleship and covered with icons of pop culture and other indescribable things, the overstimulating cacophonic scene appears vomited up from the depths of a half horrifying, half pleasurable melange of iniquity.The man on the scooter than takes off his glasses, revealing a starkly realistic face. He then opens the box and a part crab part human creature emerges. The human part of the creature resembles an old bearded man in what looks like traditional Japanese dress. Then, in an almost Darth Vader moment, the scooter man addresses the monstrosity as "father." He then tells his father that since he has become half crab he has become too decadent and so will leave him in the "sea of decadence." Then, leaving his poor kappa companion behind, the man rides off on his scooter. The crab man grabs the kappa creature and heads towards the morass of decadence laughing. The end.Perhaps this story just appeared piecemeal from the author's head and he followed it where it took him. In other words, "The Box Man" may just represent an experiment in stream of consciousness comics. Sort of a manga equivalent of David Lynch's "Eraserhead." Obviously, some people will appreciate this effort more than others. The book reads like a vivid dream and its drawings often produce real shock. But it also feels like a rejection of some sort. The scooter man abandons his father and the kappa creature in what resembles a miasma of shallow popular culture hedonism. Along the way they react to the scenery, especially the macabre chambers of monster tortures, with anger and horror. Maybe the scooter man has rejected the culture in which his father has raised him? His father, now a monster of sorts, has become uncontrollable, so the man just decides to abandon him and go his own way. The journey to the "sea of decadence" allows the reader to witness the man's disillusionment. The final scene represents the man's declaration of independence from what his father has come to symbolize. Other possible interpretations obviously exist, but it remains difficult to deny that something has definitely gone wrong in this world."The Box Man" will not please everyone. Some may find it deliberately obscure or accuse it of "weirdness for the sake of weirdness." Fair enough. Others may find the drawings and narrative a fount of symbolism and meaning and try to pick apart just what this visually appealing but largely unpleasant story attempts to communicate. Those seeking a challenge or simply looking for something different will find it here. Similar to most art, it will speak to some and repel others. And that's probably how it should be.

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Download PDF Metaphors We Live By

Download PDF Metaphors We Live By

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Metaphors We Live By

Metaphors We Live By


Metaphors We Live By


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Metaphors We Live By

From the Inside Flap

The now-classic Metaphors We Live By changed our understanding of metaphor and its role in language and the mind. Metaphor, the authors explain, is a fundamental mechanism of mind, one that allows us to use what we know about our physical and social experience to provide understanding of countless other subjects. Because such metaphors structure our most basic understandings of our experience, they are "metaphors we live by"-metaphors that can shape our perceptions and actions without our ever noticing them.In this updated edition of Lakoff and Johnson's influential book, the authors supply an afterword surveying how their theory of metaphor has developed within the cognitive sciences to become central to the contemporary understanding of how we think and how we express our thoughts in language.

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About the Author

George Lakoff is a professor in the Department of Linguistics at the University of California, Berkeley. He is the author of, among other books, Women, Fire, and Dangerous Things and Moral Politics, both published by the University of Chicago Press. Mark Johnson is the Knight Professor of Liberal Arts and Sciences at the University of Oregon. He is the author of The Body in the Mind and Moral Imagination, both published by the University of Chicago Press. Johnson and Lakoff have also coauthored Philosophy in the Flesh: The Embodied Mind and its Challenge to Western Thought.

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Product details

Paperback: 242 pages

Publisher: University of Chicago Press; 1st edition (April 15, 2003)

Language: English

ISBN-10: 0226468011

ISBN-13: 978-0226468013

Product Dimensions:

5.5 x 0.7 x 8.5 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

134 customer reviews

Amazon Best Sellers Rank:

#9,543 in Books (See Top 100 in Books)

I purchased this book without knowing much about it. My expectation was that it would relate in some detail how we use metaphorical language in a subconscious manner to describe the experiences of our lives. And my expectation turned out to be woefully insufficient to cover the reality of what the book delivered. To wit, my expectation was met and exceeded.Lakoff and Johnson do not only discuss how we use metaphorical language absentmindedly in our day-to-day living, but also delve into how we utilize metaphor to structure, conceptualize, and share our understanding of reality. It might not be obvious what exactly is the difference. In effect, the authors argue that metaphor is not just a matter of language, but a process of internally organizing our understanding of the external world. The first half of the book makes the positive case that our perceptions of reality are built upon metaphor. The second half of the book makes the case that other philosophical views fail to adequately account for such conceptual structuring. In the end, the authors argue that an "experientialist" view of truth and meaning not only account for our metaphorical comprehension of reality, but also retain and unite the most compelling aspects of other schools of thought that fail to do so.I think the first half of the book is a roaring success. The authors provide many and thorough examples of how our understanding of reality is structured metaphorically and how these metaphorical concepts are organized into coherent systems. They provide an explanation of why some mixed metaphors work and why others appear absurd. The idea that some arguments are covered in gargoyles, for example, shall stick with me for some time.I think the second half of the book is a bit less successful. Bear in mind, I am not well-versed in the philosophy of language nor am I well-acquainted with the objectivist and subjectivist views described by the authors. However, their argument seems to falter along one glaring fault (because an argument is a building, you see). The authors appear to assert in an absolute and unconditional manner that there are no absolute and unconditional truths. I want to be charitable here and assume that the authors were merely being careless, and that they meant something different than what they appear to be saying. However, the theme is repeated several times throughout the rest of the book, so it's difficult to tell.The difficulty ought to be obvious. At some level, there must be some kind of objective truth if we are to make anything resembling an objective truth claim -- even those fundamental claims about truth itself. I suspect that the authors are more inclined to affirm that truth cannot be communicated between individuals in an objective manner -- hence, the significant focus on language -- but their claims are stronger than that. If they intend only to claim, say, that we cannot exhaustively describe in an absolute and unconditional manner all (or even most) objective truths concerning reality, I'd be much more persuaded to hop on board. Instead, the authors seem to blunder at this crucial step. It's possible they clarify such a stance in the afterword (which I did not read), in which case this criticism may widely miss its mark. Otherwise, it appears quite fatal.There's another criticism I could leverage - namely, that the authors appear to view human interest in truth as based in its survival value (if that were true, we wouldn't have books like _Metaphors We Live By_) - but I'm not convinced the book was aimed at defending such a position. On a positive note, I thought the authors' attempt to wed objective and subjective accounts of truth into a unified view were admirable and reached closer to the mark than a strict objectivist or subjectivist account of reality. As such, on the whole, I liked the book. It was pretty good. But I also think the ultimate argument is the kind of thing that either says too little to justify such length and breadth of discussion or says too much to be taken seriously. For those interested, it should at the least be read for its delightful and rigorous first half.

This is the pop-up book of the brain. The brain is asked to tell itself how it is doing. The brain does wall painting, singing, depicting, falling,rising through the sounds that invisibly carry our inner states outward, coded and transmitted to another's wall. Prior to reading and living with this material, words held their meaning like bricks on a path way stretching into the distance. This book tipped the path way up, allowed cracks between the words, produced mountains to climb, oceans to swim in, brooks to listen to.I laughed, cursed with surprise, was stunned into wide eyed wonder. And wondered why it has taken so long for the brain to write this book about the brain. I don't know how to end this effort: I am stuck, and feel like I have fallen into a hole. Overnight, I hope a tunnel opens up so I can get out of here, out of this box. Do you know what I mean?t

This book builds a foundation for how metaphors structure our thinking. The first eleven chapters should be read by everyone. Ideas like "Argument is war." because we often say "We've been fighting all day." or "I lost the argument." rather than say "We've been problem solving all day." or "We finally found a solution."But the last nineteen chapters are laborious. I felt chained to every chapter, struggling to find even a sliver of the gold that was the first eleven.Buy this book. Invest in the first eleven. Skim the last nineteen. It's well worth your time.

The discovery that, far from being "flowery" expressions of more fundamental concepts, metaphors are, in themselves, fundamental concepts is clearly shown in this book. It's profound and for those who love language, a lot of fun, too.

Too much repetition for my tastes with far too much time spent explaining simple concepts in excruciating detail.

Holy cow everything we didn't know we needed to know about metaphors and their affect on people, highly recommend for anyone in speech writing, public speaking etc George Lakoff is a well of knowledge, and an advisor to political campaigning in the past. This is a good introduction to how we use metaphors and what they emphasize and simultaneously hide. Lakoff and Johnson also give you a deeper look into the philosophy behind language and it's affect on our relationship to the world.

Difficult book to get through from cover to cover. They make some interesting points that make you think differently about our ways of speaking and doing things here and there, but on the whole I wouldn't recommend this to anyone. Very boring and many of their core ideas I disagree completely with.

Good understanding of metaphors and how we use them. People who read a lot about language will like this book. Others may find it difficult to read and understand.

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